Mirvish v Mott

This case concerned a dispute over ownership of Jacques Lipchitz's, the Russian-born cubist sculptor, bronze sculpture, "The Cry." Jacques' wife, Yulla, inherited the work of art after he died. Yulla subsequently entered into a relationship with Biond Fury and, from time to time, would make gifts to Fury of Jacques' works. Yulla's son, Mott, was the executor and a residuary beneficiary of one third of her estate. In July 2004, Mott claimed to have sold "The Cry" and three other sculptures in a package deal to Marlborough International Fine Art Establishment. On September 15, 2005, Fury sold his interest in "The Cry" to David Mirvish. The Surrogate's Court issued an order and subsequent to a settlement agreement, Mott argued in his motion that Mirvish's claim was untimely and he could not prove all elements of a gift. Mirvish countered Mott's motion and contended, inter alia, in his cross motion, that Yulla made a valid gift of the work to Fury. The court reversed the order of the Appellate Division and reinstated the Surrogate's Court's order granting Mirvish's cross motion and denying Mott's motion for summary judgment. The surrogate concluded that Yulla had made a valid inter vivos gift of the work to Fury, observing that the wording of the deed of gift was "in the past tense, i.e., 'I gave this sculpture "The Cry" to my good friend Biond Fury,'" which was not only "indicative of a past transfer," but also "clearly identifie[d] the intended object and [was] consistent with [Yulla's] long pattern of making gifts of similar items to her companion." View "Mirvish v Mott" on Justia Law